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Everything was intense, exciting and sometimes confusing. To sort through the fog, Aron began searching for published data about what goes on in the minds of people in love.
And he turned up almost nothing. At that time, few researchers had begun probing the biology of romantic love. So Aron dove into the topic himself.
He continued his research at the University of Toronto, where he wrote a long report on the subject. He also married his sweetheart, Elaine.
Recently, he teamed up with other scientists to peer into the noggins of people giddy with love. His research, along with studies led by other experts, is helping explain the science of love.
All that mystery, all those songs and all those complex behaviors can be explained — at least in part — by the surge of just a few chemicals in our brain.
Most people think of love as an emotion. Love actually is more of a drive — like hunger or addiction. Together, they are studying the brains of people newly in love.
For one study, each of their love-struck recruits started by filling out a questionnaire designed to gauge the intensity of his or her feelings.
The scientists then rolled each volunteer into the giant cylinder of a big machine to see which brain regions are most affected by love.
The machine is called a functional magnetic resonance imaging — or fMRI — scanner. It detects changes in the flow of blood in various parts of the brain.
Increased flow generally identifies areas that have become more active. At the same time, scientists asked them to recall their most romantic memories.
Each recruit also looked at photos of friends or other people they knew. While the volunteers viewed all of these snapshots, the researchers asked them to remember something about the subject of each.
After viewing each image of a buddy or beau, the volunteers were asked to count backward from a large number. This helped keep separate the different emotional responses they had after viewing each photograph.
Still, that was the goal here. And Brown says the brain scans showed that when people look at pictures of their sweeties, several brain areas turn on.
Two in particular light up among people still in the early sizzle of love. One is called the ventral tegmental area. Located deep at the back of the brain, in the brainstem, this group of neurons controls feelings of motivation and reward.
A second center of activity is the caudate nucleus. This small area is located near the front of the head, toward the center of the brain, sort of like the area that you find seeds in a pear.
The caudate nucleusis associated with the passion of love: But not at other times. Both the ventral tegmental area and caudate nucleus are involved in very basic functions, such as eating, drinking and swallowing, Brown says.
These are things people do without thinking. That may be one of the reasons that the feelings associated with early love are so hard to control.
The ventral tegmental area and the caudate nucleus both serve another important function. Each is packed with cells that produce or receive a brain chemical called dopamine DOH pa meen.
Known as a feel-good chemical, dopamine plays many roles. Dopamine serves as a signaling compound, chatting with other nerve cells.
It also helps you to focus intensely on what you really want. And it pushes and energizes you to take action and reach your goals.
Those goals can include pursuing a romantic interest. Once smitten, a surge of dopamine helps make you feel exhilarated. Other chemicals in your body also work overtime when falling in love.
Among them are chemicals that can activate a stress response, such asadrenaline. In high-stress situations, this hormone, also known as epinephrine EP uh NEF rin , increases heart rate and supplies more oxygen to the muscles.
That readies the body to take action. It can also make your palms sweat when the object of your affection approaches.
Any extra dopamine can also increase heart rate, as well as cause sleeplessness and loss of appetite. It also may trigger non-stop thoughts of your sweetie.
It may encourage you to spend endless hours talking or texting with your new beau. Your friends may even tell you that you have become obsessed.
Aron says that while typical at first, this obsessive phase eventually ends. The passion usually lasts for anywhere from a few months to perhaps a year or two.
Afterward, your dopamine levels return to normal. You may experience fewer adrenaline rushes, too. During the early stages of love, multiple hormones course through the body.
As the exciting sizzle fades, another chemical comes onto the scene, Aron says. All those moments of kissing, touching and laughing together can create another, more stable kind of bond, he says.
It is fueled by another body chemical with a strange-sounding name: He works in a field of science called neuroeconomics. His research looks at the chemistry of the brain to figure out how people make decisions.
People make thousands of decisions every day, including decisions on whom to trust. As a chemical, oxytocin plays a key role in affecting such decisions.
Produced in the brain, oxytocin affects cells in other parts of the brain, as well as elsewhere throughout the body. In the brain, oxytocin also works as a messenger.
It delivers information from one nerve cell to its neighbor. It stimulates contractions during labor. It also promotes milk production in nursing mothers.
And it helps mothers develop a sense of extraordinary closeness to their babies. It is no wonder oxytocin often is called the love hormone.
Working with researchers at the University of Zurich in Switzerland, he designed a nasal spray. It sends a whiff of oxytocin to the brain. When students in his studies inhaled the spray, they became friendlier and more trusting of strangers, Zak says.
Michelangelo's work was important in establishing the reputation of the young artist, who was only twenty at the time.
At the request of his patron , he increased its value by deliberately making it look "antique",  thus creating "his most notorious fake".
In the poetry of Giambattista Marino d. A madrigal by his literary rival Gaspare Murtola exhorted artists to paint the theme.
A catalogue of works from antiquity collected by the Mattei family , patrons of Caravaggio , included sketches of sleeping cupids based on sculpture from the Temple of Venus Erycina in Rome.
Caravaggio, whose works Murtola is known for describing, took up the challenge with his Sleeping Cupid , a disturbing depiction of an unhealthy, immobilized child with "jaundiced skin, flushed cheeks, bluish lips and ears, the emaciated chest and swollen belly, the wasted muscles and inflamed joints.
Earlier in his career, Caravaggio had challenged contemporary sensibilities with his "sexually provocative and anti-intellectual" Victorious Love , also known as Love Conquers All Amor Vincit Omnia , in which a brazenly naked Cupid tramples on emblems of culture and erudition representing music, architecture, warfare, and scholarship.
The motto comes from the Augustan poet Vergil , writing in the late 1st century BC. His collection of Eclogues concludes with what might be his most famous line: Love conquers all, and so let us surrender ourselves to Love.
The theme was also expressed as the triumph of Cupid, as in the Triumphs of Petrarch. The ancient Roman Cupid was a god who embodied desire, but he had no temples or religious practices independent of other Roman deities such as Venus, whom he often accompanies as a side figure in cult statues.
Cupid became more common in Roman art from the time of Augustus , the first Roman emperor. After the Battle of Actium , when Antony and Cleopatra were defeated, Cupid transferring the weapons of Mars to his mother Venus became a motif of Augustan imagery.
She gives safe harbor to Aeneas and his band of refugees from Troy , only to be abandoned by him as he fulfills his destiny to found Rome.
Iulus also known as Ascanius becomes the mythical founder of the Julian family from which Julius Caesar came. Augustus, Caesar's heir, commemorated a beloved great-grandson who died as a child by having him portrayed as Cupid, dedicating one such statue at the Temple of Venus on the Capitoline Hill , and keeping one in his bedroom where he kissed it at night.
As a winged figure, Cupido shared some characteristics with the goddess Victoria. Roman historians criticize cupido gloriae , "desire for glory," and cupido imperii , "desire for ruling power".
In depicting the "pious love" amor pius of Nisus and Euryalus in the Aeneid, Vergil has Nisus wonder:.
Is it the gods who put passion in men's mind, Euryalus, or does each person's fierce desire cupido become his own God?
In Lucretius' physics of sex , cupido can represent human lust and an animal instinct to mate, but also the impulse of atoms to bond and form matter.
Cupid was the enemy of chastity , and the poet Ovid opposes him to Diana , the virgin goddess of the hunt who likewise carries a bow but who hates Cupid's passion-provoking arrows.
Ovid blames Cupid for causing him to write love poetry instead of the more respectable epic. It concerns the overcoming of obstacles to the love between Psyche "Soul" or "Breath of Life" and Cupid, and their ultimate union in marriage.
The fame of Psyche's beauty threatens to eclipse that of Venus herself, and the love goddess sends Cupid to work her revenge.
Cupid, however, becomes enamored of Psyche, and arranges for her to be taken to his palace. He visits her by night, warning her not to try to look upon him.
Psyche's envious sisters convince her that her lover must be a hideous monster, and she finally introduces a lamp into their chamber to see him.
Startled by his beauty, she drips hot oil from the lamp and wakes him. She wanders the earth looking for him, and finally submits to the service of Venus, who tortures her.
The goddess then sends Psyche on a series of quests. Each time she despairs, and each time she is given divine aid.
On her final task, she is to retrieve a dose of Proserpina 's beauty from the underworld. She succeeds, but on the way back can't resist opening the box in the hope of benefitting from it herself, whereupon she falls into a torpid sleep.
Cupid finds her in this state, and revives her by returning the sleep to the box. Cupid grants her immortality so the couple can be wed as equals.
The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations,  and it has been analyzed as an allegory and in light of folktale , Märchen or fairy tale , and myth.
Since the rediscovery of Apuleius's novel in the Renaissance , the reception of Cupid and Psyche in the classical tradition has been extensive.
The story has been retold in poetry, drama, and opera, and depicted widely in painting, sculpture, and various media. It has been said that Gabrielle was inspired   by the tale Cupid and Psyche .
The tale is about a beautiful yet lonely woman with a heart of gold that is held captive by a hideous beast who has invisible servants to aid her in anything she desires within the confines of the castle walls.
She eventually falls in love with him despite his appearance and breaks the cursed placed on him to reveal a handsome prince. On gems and other surviving pieces, Cupid is usually shown amusing himself with adult play, sometimes driving a hoop, throwing darts, catching a butterfly, or flirting with a nymph.
He is often depicted with his mother in graphic arts, this is nearly always Venus , playing a horn.
In other images, his mother is depicted scolding or even spanking him due to his mischievous nature. He is also shown wearing a helmet and carrying a buckler, perhaps in reference to Virgil 's Omnia vincit amor or as political satire on wars for love or love as war.
Cupid the Honey Thief by Dürer. Cupid draws his bow as the river god Peneus averts his gaze in Apollo and Daphne by Poussin.
Allegory with Venus, Mars, Cupid and Time ca. Omnia Vincit Amor by Benjamin West. Cupid on a sea monster c. A Valentine greeting card From Wikipedia, the free encyclopedia.
Ancient Roman god of desire, affection and erotic love. For other uses, see Cupid disambiguation and Eros disambiguation. Classical statue of Cupid with his bow.
A Critical Anthology Routledge, , p. It also appears in Anacreontic poetry. Alcock, " Pisces in Britannia: Food from the Waters.
The Frampton Mosaics Reconsidered," Britannia 34 , p. Catalogue of the J. The Role of the Artist Collegium Hyperboreum, , pp.
Varriano, Caravaggio Penn State Press, , pp. Clarke, Art in the Lives of Ordinary Romans: From Houses of the Living to Houses for the Dead.
Iconography and Religion in Transition," in Commemorating the Dead: Texts and Artifacts in Context. Studies of Roman De Gruyter, , p.
Harris, War and Imperialism in Republican Rome: